FUKUSHIMA OPEN SOUNDS À LA MAISON LAURENTINE


FUKUSHIMA OPEN SOUNDS

Programme La Maison Laurentine – LostDog, été 2014

LostDog NoMoreFukushima

Fukushima open sounds La Maison Laurentine  – été 2014 

Une action de sauvegarde transnationale, géante et sonore par Aurèle, La Maison Laurentine, webSYNradio et Fukushima Open sounds

 

 

Voici les différents liens pour trouver/partager les sons, à partir du 6 juillet.

 

Pour embarquer sur votre site le lien du stream webSYNradio:

http://91.121.133.19:8000/synradio.mp3

 

Pour activer le stream sur :

Droits de cités http://droitdecites.org/2014/02/11/lostdog-nomorefukushima-aurele-a-la-maison-laurentine/

websynradio : http://synradio.fr/lostdog-nomorefukushima/

le site du projet Fukushima Open sounds : http://fukushima-open-sounds.net/carte/lostdog-aurele-maison-laurentine-ete-2014/

 

Le podcast avec fichiers splités (à copier coller dans vlc/i tunes ou tout autre lecteur de votre choix) :http://91.121.133.19/sons/artistes/311/playlist_fukushima_lostdog2014_websynradio-web.m3u

 

Le podcast fichier unique  (à télécharger ou à copier coller dans vlc/i tunes ou tout autre lecteur de votre choix) :http://91.121.133.19/sons/artistes/311/playlist_fukushima_lostdog2014_websynradio_MP3WRAP.mp3

 

Toutes les infos :  http://fukushima-open-sounds.net/carte/lostdog-aurele-maison-laurentine-ete-2014/

 

Les pièces sonores

julia_Drouhin

Tincantelephon (sonic piece, 1’12) French producer and sonic artist, Julia Drouhin recorded Tristan Stowards installation, Tin Can Telephone, in Salamanca Art Center, Hobart, Tasmania, in 2011. Strings, cans, rocs, radio melodies and space are connected when the listener put his ear in a can. 

http://fukushima-open-sounds.net/geomedia/tincantelephon-julia-drouhin-2011/

éric_Cordier

Suddendeath in Nakoso (electro acoustic, 8’34)

Eric Cordier is a french composer and japan lover.

This electro acoustic piece was created as part of a program organized by Institut Français Hors les murs, “C’était un si beau jour, si calme…”

http://fukushima-open-sounds.net/geomedia/sudden-death-in-nakoso-piece-electro-acoustique-eric-cordier-c%E2%80%99etait-un-si-beau-jour-si-calme%E2%80%A6/

 

tomoko_Momiyama

I Saw Time under a Cherry Tree (electro acoustic, 17’30)

This piece was created by Tomoko Momiyama partly  at INA/GRM during an artist residency, summer 2012.

“I went to ask the trees in Paris what they thought about the situation in Fukushima. It was in the summer of 2012, over a year after the Great East Japan Earthquake and Tsunami. “I Saw Time, under a Cherry Tree” uses voices of these Parisian trees, as well as sound recordings from Fukushima, Tokyo, Aix-en-Provence, Geneva, and Paris.”

+ http://fukushima-open-sounds.net/geomedia/i-saw-time-under-a-cherry-tree-une-piece-detomoko-momiyama/ 

 

joachim_montessuis

The glowing tree (electro acoustic, 19’)

This piece was created by Joachim Montessuis at INA/GRM during an artist residency, summer 2012.

Since 1993 Joachim Montessuis has been developing a transversal sonic poetry praxis focused on experimental voice processing and immersive concert-installations.

http://fukushima-open-sounds.net/carte/joachim-montessuis/

 

bérangère_maximin & Colin-johnco

Le fléau (electro acoustic, 9’44)

This piece was created by Bérangère Maximin at INA/GRM during an artist residency, summer 2012.

“Act as if nothing happened. The end of the world, nothing is more abstract. We are here, smug, fat, tired. Choose to ignore, IGNORE.” BM & CJ

http://fukushima-open-sounds.net/carte/berangere-maximin-colin-johnco/

 

koji_nagahata

Recording Fukushima (Abukuma River: 7 December, 2011 )

Koji is Nagahata is professor / researcher in acoustics and sound design at the University of Fukushima.

Recording Fukushima ( Bunka Street: 26 May, 2011 )

http://www.sss.fukushima-u.ac.jp/~nagahata/fsp_311/bunka_street_110526/index-e.html

 

Julien Blaine & ElfuegoFatuo

Disparus (sonic piece, 2’47) The french poet Julien Blaine offers a text to be read aloud and in groups.  We listen to the reading created and recorded by Elfuegofatuo.

http://fukushima-open-sounds.net/geomedia/disparus-elfuego-fatuo-sur-une-invitation-de-julien-blaine/

 

koji_nagahata

Recording Fukushima (Station Road of the Fukushima Station: 13 May, 2011)

http://www.sss.fukushima-u.ac.jp/~nagahata/fsp_311/ekimae_110513/index-e.html

 

Bruno_Bernard 14h46 , (Electro acoustic piece, 5’20)

This electro acoustic was performed with the sounds of the Japanese NHK television, especially during the explosion of a reactor.

http://fukushima-open-sounds.net/geomedia/a-chaud-piece-de-bruno-bernard/

 

koji_nagahata

Recording Fukushima (Fukushima University: 11 April, 2012)

http://www.sss.fukushima-u.ac.jp/~nagahata/fsp_311/fukudai_120411/index-e.html

 

Dan Charles Dahan Sauf la lune, (sonic piece, 12’)

Dan Charles Dahan aka dan.digital creates a poetic gesture in the form of sound collages.

http://fukushima-open-sounds.net/geomedia/sauf-la-lune-piece-electro-acoustique-dan-digital/

 

Ayako_Sato

sen no kioku, mémoire d’une ligne (10’40)

Ayako Sato is a student in the electro acoustic class of Carl Stone at the Tokyo University of the Arts.

Her sonic piece play (sen no kioku, recollections of a line) is the result of a workshop organized by Carl Stone and Tomoko Momiyama on the theme of Fukushima and in connection with the project « Meanwhile in Fukushima. » http://fukushima-open-sounds.net/geomedia/sen-no-kioku-memoire-dune-ligne-ayako-sato-2012/

 

claire_chalut

Notes d’apocalypse (sonic piece, 12’24)

http://fukushima-open-sounds.net/carte/claire-chalut/

 

koji_nagahata

Recording Fukushima (Fukushima University: 20 July, 2011)

http://www.sss.fukushima-u.ac.jp/~nagahata/fsp_311/fukudai_loudspeaker_110720/index-e.html

 

carl_stone

Threnody (sonic piece, Tokyo, 10’23)

This piece was created by Carl Stone at INA/GRM during an artist residency, sept 2012.

American composer born in 1953. Based in California and Japan, Carl Stone is composing electro-acoustic music since the 70s.

http://fukushima-open-sounds.net/geomedia/threnody-for-the-victims-of-fukushima-carl-stone/

 

Gilles_Malatray

Litanies Résilientes (sonic piece, 3’33)

Fukushima : a name which calls into question the very balance of the world and our societies.

http://fukushima-open-sounds.net/geomedia/litanies-resilientes-gilles-malatray/

 

Koji_nagahata

Recording Fukushima (Kotori no Mori, Forest for Birds: 1 May, 2011)

http://www.sss.fukushima-u.ac.jp/~nagahata/fsp_311/kotorinomori_110501/index-e.html

 

philippe_petit

Daiichi melts down (electronic piece, 6’36)

“This piece corresponds to the vision that I have of what would be a post-disaster atmosphere, where everything starts nicely then deteriorates, and then explodes back gradually”.P.Petit

http://fukushima-open-sounds.net/carte/philippe-petit/

 

daniel_martin_borret

Fukushima on air 1 (electronic recordings)

Series of raw frequencies that correspond to the noise measures listed day after day by the french institute IRSN. 

http://fukushima-open-sounds.net/carte/daniel-martin-borret/

 

ryôko_sekiguchi

Lecture (in french, Comment nommer une catastrophe, Carré d’art, Nîmes, 5’30)

http://fukushima-open-sounds.net/carte/ryoko-sekiguchi/

 

daniel_martin_borret

Fukushima on air 1 (electronic recordings)

Series of raw frequencies that correspond to the noise measures listed day after day by the french institute IRSN. 

http://fukushima-open-sounds.net/carte/daniel-martin-borret/

 

Thierry_Charollais Fear in Fukushima (electro acoustic, 33’47)

With sounds by Koji Nagahata and recordings from the CERN (European Centre for Nuclear Research).

http://fukushima-open-sounds.net/geomedia/fear-in-fukushima-improvisation-electro-thierry-charollais/

 

emmanuel_mieville & patrice_cazelles

Fuckyoushima (sonic poem, 12’43)

This sonic and musical poem is composed from capture sounds of the human voice and electroacoustic sounds with reference to the violence of a cataclysm

http://fukushima-open-sounds.net/carte/emmanuel-mieville-patrice-cazelles/

 

daniel_martin_borret

Fukushima on air 2 (electronic recordings)

http://fukushima-open-sounds.net/carte/daniel-martin-borret/

 

ElFuegoFatuo (clara_de_asis & laura_vazquez)

Il Traverse (sonic poem, 4’04)

This sonic poem combines new technologies and contemporary poetry using the voice processing, sound, digital media, but also performative poetic text.

http://fukushima-open-sounds.net/carte/elfuego-fatuo/

 

frédéric_mathevet

Partition pour aerophone avec sax baryton  (14’)

Frederic Mathevet is graduated as doctor of arts, visual researcher, composer.

http://fukushima-open-sounds.net/geomedia/once-upon-a-time-in-fukushima-avec-saxo-baryton-frederic-mathevet/

 

ulysse (Renaud Beaurepaire, Thomas Bernard, Grégoire Florent, Frédéric Fradet)

Improvisation for Fukushima (25’29)

http://fukushima-open-sounds.net/carte/ulysse-renaud-beaurepaire-thomas-bernard-gregoire-florent-frederic-fradet/

 

projet_gunkanjima (Gilles Laval &Yoko Higashi, Marc Siffert, Takumi Fukushima, Laurent Grappe, Yuko Oshima)

Musical and electro acoustic improvisation (cartoon, 2’27)

Gunkanjima anticipates a chaos which 40 years later would take definitive boost at Fukushima.

http://fukushima-open-sounds.net/carte/gunkanjima/

 

Koji_nagahata

Recording Fukushima (Kotori no Mori, Forest for Birds: 22 January, 2012)

http://www.sss.fukushima-u.ac.jp/~nagahata/fsp_311/kotorinomori_120122/index-e.html

 

n_jacob & keiji_katsuda & Otto-v_rhino

Fukushima Nuclear (japanoise, 5’05)

Noise and chaos from the Japanese TV comments describing the event.

http://fukushima-open-sounds.net/carte/n-jacob-otto-v-rhino-keiji-katsuda/

 

Koji_nagahata

Recording Fukushima (Machi-naka Square: 12 August, 2011)

http://www.sss.fukushima-u.ac.jp/~nagahata/fsp_311/machinaka_110812/index-e.html

 

cristian_vogel

Candle song (electronic piece, 9’39)

This piece was generated by oscillator banks tracking the infra-red heat radiation emitted by the flame of two candles and tracked using Nintendo WiiMote IR camera.

http://fukushima-open-sounds.net/carte/cristian-vogel/

 

dominique-balaÿ

Recording Fukushima (Minamisoma seafront, may 2012)

http://fukushima-open-sounds.net/geomedia/front-de-mer-minamisoma-25-mai/

 

laurent_choquel-aka-Charles-Premier

Fukushima diggins (sonic piece, 6’41)

These recordings were made by a new type of sensor sensitive to noise, radioactivity and the presence of life. It was used during excavations in the ruins of Fukushima.

http://fukushima-open-sounds.net/carte/laurent-choquel-aka-charles-premier/

 

matthieu_bec_aka-mutann

Poto Elek (electro, 1’34)

The symbolic of counter Geiger

http://fukushima-open-sounds.net/carte/mathieu-bec-aka-mutann/

 

Cats Hats Gowns

Untitled ( guitar & electro, 13’10)

“like a memory-based exploration of mental miniatures, recalling wash tint landscapes and pointillist abstractions in slow motion.”

http://fukushima-open-sounds.net/carte/cats-hats-gowns/ 

 

maia_barouh

Amami (traditional song from the island of Amami, 2’13)

Maia Barouh is an artist born in Tokyo, with a Japanese mother and a French father.

http://fukushima-open-sounds.net/carte/maia-barouh/

 

dominique-balaÿ

Recording Fukushima (Youdou’s office in Minamisoma: may 2012)

http://fukushima-open-sounds.net/geomedia/j13-ambiances-rizieres-oiseaux-grenouilles-pluies-minamisoma-25-mai-2012/

 

masae_gimbayashi

Kakyoku (piano composition, 3’29)

Kakyoku (melody flowers) is the title of a piece composed by Fumio Yasuda and created by Masae Gimbayashi-Barbotte, in support for earthquake victims in Japan, April 7, 2011 at the Theatre Ile-Saint Louis, Paris.

http://fukushima-open-sounds.net/carte/masae-gimbayashi-barbotte-3/

 

masateru_kawakami

Shout and silence (sonic piece, 4’)

This sonic piece is a reaction to the protests against nuclear power plants in Japan.

http://fukushima-open-sounds.net/carte/masateru-kawakami/

 

jean_pierre_balpe

Fukushima 4 (sonic poem, 2’44)

Fukushima is a generator which produces texts automatically.

-> http://fukushima-open-sounds.net/carte/jean-pierre-balpe/

 

sylvia_monnier

Meanwhile One (electronic piece, 6’32)

Iimages and facts come to us through an elliptical prism.

http://fukushima-open-sounds.net/carte/sylvia-monnier/

 

pascal_deleuze

Expression Love For Fukushima (improvisation, bass, 7’01)

http://fukushima-open-sounds.net/carte/pascal-deleuze/

 

reiko_NG                                                                                

Reiko sings Adèle, Hobara, Fukushima (8’55). Reiko is a student living in Fukushima-city.

http://fukushima-open-sounds.net/geomedia/reiko-sings-adele-hobara-fukushima-24-mai/           

 

richard_pinhas & merzbow

FUKUATOMKILLUS (guitar + electronic, 3’46)

“We hope that this short recording  will encourage people become aware of the world in which we live, and FREEDOM for which we must fight constantly” RP

http://fukushima-open-sounds.net/carte/richard-pinhas/

 

Koji_nagahata

Recording Fukushima (Shinhama Park: 1 May, 2011)

http://www.sss.fukushima-u.ac.jp/~nagahata/fsp_311/shinhama_110501/index-e.html

 

rodolphe_alexis

Shoganai (sonic piece, 6’)

This piece was made for 2nd edition of the « Radiophonic Creation day » in tribute to victims of triple Japanese disaster – March 11, 2011.

http://fukushima-open-sounds.net/carte/rodolphe-alexis/

 

stephane_balaÿ

improvisation (guitar, sounds from the street, 5’25)

http://fukushima-open-sounds.net/carte/stephane-balay/

sylvia_monnier

Meanwhile Two (electronic piece, 7’16)

http://fukushima-open-sounds.net/carte/sylvia-monnier/

 

thanatho_oleg_sound_system

fukushima (electro sonic piece, 20’15)

This piece opposes on one side the question of media coverage and policy measures envisaged from the emergency and the other, anxiety, fear and stress of people affected by the disaster, all are assumed to cause a reflection on the danger and therefore the alleged relevance of this energenetic orientation.

http://fukushima-open-sounds.net/carte/thanato-twist-with-olegs-sound-system/

 

hideo_furukawa

Lecture (in Japanese, Ashura, 3’39)

http://fukushima-open-sounds.net/carte/hideo-furukawa/

 

michel_titin-schnaider

Japan (sonic piece, 25’)

Michel Titin-Schnaider is a french electronic composer : “The 6th of may 2012, Japan waked up without nuclear energy.” 

http://fukushima-open-sounds.net/carte/michel-titin-schnaider/

 

philippe_poirier & Salvatore_puglia

From Castro (radiophonic piece, 9’53)

Allegorical piece, inspired by the events in Fukushima. His background is formed by recording a walk in search of the ruins of Castro, the « ideal city » of the Renaissance, the capital of the Duchy of Farnese, besieged and destroyed by the mercenaries of the pope in 1649 and since buried in scrub.

http://fukushima-open-sounds.net/carte/philippe-poirier-salvatore-puglia/

 

Aurelien_chouzenoux

Médée-Fukushima (work in progress, 15’06)

Excerpt from a work in progress: sound composition performed by Aurélien Chouzenoux for  the project Medea-Fukushima.

http://fukushima-open-sounds.net/carte/aurelien-chouzenoux/

 

projet_gunkanjima (Gilles Laval &Yoko Higashi, Marc Siffert, Takumi Fukushima, Laurent Grappe, Yuko Oshima)

Grappes, 1’20

http://fukushima-open-sounds.net/carte/gunkanjima/

 

yasuaki_shimizu

Sense and non sense (sax improvisation, 3’38)

Composer, saxophonist and producer Yasuaki Shimizu is an insatiably inquisitive artist whose musical explorations range from classical to free improvisation. 

http://fukushima-open-sounds.net/carte/yasuaki-shimizu/

 

david-christoffel

Le courage (sonic piece, 6’54)

David Christoffel is a French theorist, composer and radio producer

http://fukushima-open-sounds.net/carte/david-christoffel/

 

yoko_higashi

Bon Odori for Konan Village (sonic piece, 11’58)

This piece was  composed from sound recording at  Konan-machi (Koriyama) during  Bon odori festival in 2007.

http://fukushima-open-sounds.net/carte/yoko-higashi/

 

yoko_higashi

Crepuscule (traditional song, 2’01)

This short piece includes a song from the village of Soma in Fukushima prefecture, sung by Kimiko Ogoshi.

The sound recording(including vocals) was made before 11 March 2011, in 2009.

http://fukushima-open-sounds.net/carte/yoko-higashi/

 

Christine Webster

Fukushima_Days (electro acoustic piece, 25’45)

After Fukushima,  the great question of life and living, as suspended. What do we do?

 http://fukushima-open-sounds.net/carte/christine-webster/

 

Christophe Gouttes aka Matgorski

00shima (mix sounds, 50’17) I’m touched http://fukushima-open-sounds.net/carte/christophe-gouttes/

 

89

Christophe Polese aka POL

Protest (sonic piece, 5’31)

Don’t forget that everyday since 3 years billions of liters of radioactive water are pulled in the ocean. There is strong evidence that in 20 years from now, not a single fish will have survived in the ocean (not only because of Fukushima, the ocean are getting acid from way before the accident). Can you imagine a world without fish ? You better start to try now because there is no way back.

 http://fukushima-open-sounds.net/carte/christophe-polese-aka-pol/

 

Philippe Jubard

Ecouter (electro acoustic, 13’33) a catastrophe caused by human activity and [which] involves political, economic, scientific areas of Japan and other countrieshttp://fukushima-open-sounds.net/carte/philippe-jubard/

 

Heike Fiedler

shima (sound poetry, 2’51)

To participate is also thinking of those who have been affected directly and long-term, or forever, by the accident

 http://fukushima-open-sounds.net/carte/heike-fiedler/

 

Alain de Halleux

Meeting with Alain de Halleux  (Bruxelles, march 2014, Interview by Dominique Balaÿ,  1h29’51)

Talking about his past achievements and his immediate plans : films, but also radio and civic actions that occupy him 100%.

http://fukushima-open-sounds.net/geomedia/rencontre-avec-alain-de-halleux-mars-2014-bruxelles/

 

Lionel Marchetti

Konan (de Fukushima) -excerpt- (concrete music, 7’51)

The sky covered with stars. We are near Lake Inawashiro-ko … http://fukushima-open-sounds.net/carte/lionel-marchetti/

 

Dépanne Machine (Nelly Gerouard et Jean-Marc Baude)

The nuclear disaster shows that the future is not nuclear

fuku1x5 (music & improvisation, 5’48)

http://fukushima-open-sounds.net/carte/depanne-machine/

 

Roxanne Turcotte

Zone d’exclusion (electro acoustic piece, 3’57)

These are only angels we hear.

http://fukushima-open-sounds.net/carte/roxanne-turcotte/

 

Sebastien Menvielle

Japon II (interferences radiophoniques, 58’11)

The nuclear accident at the Fukushima plant is still ongoing. Contamination of the ocean and land is getting worse.

http://fukushima-open-sounds.net/carte/sebastien-menvielle/

 

Stéphan Barron

Poisson Globe (Sonic piece, 15’09)

 So far, so close, into us, without borders. Life, city noises. Invisible, diffuse, overwhelming terror. Everything here, there, going on, fragile and diaphanous. Tribute to Fukushima.

 http://fukushima-open-sounds.net/carte/stephan-barron/

 

Yan Breuleux Tempêtes (sonic piece for audio visual composition, 21′) 

Fukushima obsessed me since the first day of the tsunami …

http://fukushima-open-sounds.net/carte/yan-breuleux/

 

Publicités

A propos Desartsonnants

Promeneur écoutant, paysagiste sonore, spécialiste des arts sonores, concepteur sonore, curator, conférencier
Cet article, publié dans acousmatique, Appel à participation, création sonore, Environnement, Géophonie, est tagué , , . Ajoutez ce permalien à vos favoris.

Laisser un commentaire

Entrez vos coordonnées ci-dessous ou cliquez sur une icône pour vous connecter:

Logo WordPress.com

Vous commentez à l'aide de votre compte WordPress.com. Déconnexion / Changer )

Image Twitter

Vous commentez à l'aide de votre compte Twitter. Déconnexion / Changer )

Photo Facebook

Vous commentez à l'aide de votre compte Facebook. Déconnexion / Changer )

Photo Google+

Vous commentez à l'aide de votre compte Google+. Déconnexion / Changer )

Connexion à %s