ENVIRONNEMENTAL SOUND ARTISTS
In Their Own Words
Edited by Frederick Bianchi and Edited by V. J. Manzo
Parution en août 2016 Environmental Sound Artists, In Their Own Words.
Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The term environmental sound art is generally applied to the work of sound artists who incorporate processes in which the artist actively engages with the environment. While the field of environmental sound art is diverse and includes a variety of approaches, the art form diverges from traditional contemporary music by the conscious and strategic integration of environmental impulses and natural processes.
This book presents a current perspective on the environmental sound art movement through a collection of personal writings by important environmental sound artists. Dismayed by the limitations and gradual breakdown of contemporary compositional strategies, environmental sound artists have sought alternate venues, genres, technologies, and delivery methods for their creative expression. Environmental sound art is especially relevant because it addresses political, social, economic, scientific, and aesthetic issues. As a result, it has attracted the participation of artists internationally. Awareness and concern for the environment has connected and unified artists across the globe and has achieved a solidarity and clarity of purpose that is singularly unique and optimistic. The environmental sound art movement is borderless and thriving.
Edited by Frederick Bianchi, Professor of Humanities and Arts, Worcester Polytechnic Institute, and Edited by V. J. Manzo, Assistant Professor of Music Technology and Perception, Worcester Polytechnic Institute
Frederick Bianchi is a composer and music technologist. Recognized internationally for his musical compositions, installations, and innovative music technology development, Bianchi has been associated with interactive music applications since the mid-1980s.
V.J. Manzo is Assistant Professor of Music Technology and Cognition at Worcester Polytechnic Institute. He is the author of the books MAX/MSP/Jitter for Music, Foundations of Music Technology, and co-author of Interactive Composition, all published by Oxford University Press.
Table of Contents
1. Sonifications of Global Environmental Data
2. Sewer Pipe Organ
3. Biophonic Sound Sculptures in Public Spaces
4. A Philosophical Report From Work-In-Progress
5. Listening to the Earth
6. The Place Where You Go to Listen: An Ecosystem of Sound and Light
John Luther Adams
Cheryl E. Leonard
8. Hearing Curved Space
9. River Listening
10. Sun Boxes
11. Bridge Music and Tower Music
12. Data as Music: Why Musically Encoded Sonification Design Offers a Rich Palette for Information Display
13. Sonic Landscapes (finding a sense of place with my ears)
14. Sonic Migrations: listening in-between, sensing place
15. Sound Architecture
16. The Sonic Ecology of Structures
17. Why Bring Nature Into Your Music?
18. The Dawn Chorus
19. Bivvy Broadcasts
20. A Philosophy of Eco-acoustics in the Interdisciplinary Project « Fragments of Extinction »
21. Towards Activist Sound: N30 Live at the WTO Protest November 30, 1999
22. The Listening Experience of « Paramnesia »
23. Musical Heuristics in Six Ecoacoustic Quintets